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Coffee in the Garden



Excerpt from Between Mirrors


Claire returned the reply that was expected of her, as she always did when her elder mentioned the shadows.

It was like a secret understanding, this exchange of phrases between the two of them, whose meaning, though obscure, had acquired almost ceremonial significance with the passing of years.

2:07

Hi, I'm FRANCIS ROSENFELD

I GARDEN, I WRITE, AND I WATCH THE WORLD GO BY




There is nothing new under the sun but our perception of things. Technology advances, civilizations flourish and fall, but the human spirit never changes. We are born with all the storylines able to touch our soul.

Why I Write, Francis Rosenfeld

These basic tales bind us through time and cultural differences and allow us to relate to each other while we harbor completely different views of the world. The rest is just letting life flow quietly through you.


The Garden - a living audionovel

Every week another door opens.

“There are open waters out there, Cimmy,” Rahima whispered, as if she was afraid to acknowledge what she’d seen. “Large sheets of water, going far into the distance. There are so many of them, hundreds, maybe even a thousand, and they all seem to end abruptly at an edge that’s far out into the distance. I don’t know if the water is flowing into a void back there, because there isn’t anything you can see past that edge. Nothing but sky.”

Listen to the whole novel
The Garden of Angst - Open Waters
The Garden of Angst
Open Waters
The Garden of Angst
Open Waters
The Garden of Angst - Dig
The Garden of Angst
Dig
The Garden of Angst
Dig
The Garden of Angst - The Drought
The Garden of Angst
The Drought
The Garden of Angst
The Drought
The Garden of Scorn - Beyond Confines
The Garden of Scorn
Beyond Confines
The Garden of Scorn
Beyond Confines
The Garden of Scorn - Everyone Deserves a Name
The Garden of Scorn
Everyone Deserves a Name
The Garden of Scorn
Everyone Deserves a Name
The Garden of Scorn - Rat!
The Garden of Scorn
Rat!
The Garden of Scorn
Rat!

No story ever comes from nothing, there is no such thing as pure fiction. Without the honesty of real emotions and the authenticity of events that could have happened, the tale doesn’t touch the soul.

Francis Rosenfeld logo
WHY I WRITE
essays

We thrive on empathy and recognizing ourselves in others; we love to know we’re not alone in our predicaments, victories or convictions.

We then reach for the mirror of stories, both real and made up, to see our own experiences reflected in them and find solace in the great sea of human thought, always in motion. We can’t help it, we’re wired to connect, care, be curious and offer opinions.

A deluge of images and memories, so thick I have trouble keeping up, brings back places, people and times: the surreal feeling of walking on Broadway for the first time on a freezing January morning, the ghostly halo of Niagara Falls covered in ice at night, the skyline of Manhattan with the Twin Towers still etched into my brain, picking pumpkins in the rain and laughing, knee deep in mud, the space shuttle Columbia disaster, the Curiosity landing, the time before personal computers.

I remember thinking how blessed my grandparents were to watch the advancement of society through almost a century, in good times and bad, from horse-drawn carriages and gas lights to mobile communication, unlocking the human genome and deep space exploration.

I can’t help but feel that the standard has now been passed on to me to be a witness to the world changing.

My audiobooks are now on Amazon, free with an Audible trial. Thank you for sharing the journey with me.

STORIES by Francis Rosenfeld

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  • I write because I saw people sitting on benches in front of the Brandenburg gate and staring at the wall behind it, in the hope that their loved ones, or long-lost relatives, may be doing the same thing on the other side.
  • I write because I learned the story of the blizzard of 1954 when snow reached to the rooftops and people dug intricate systems of tunnels through it to reconnect their neighborhood.
  • I write because nobody else woke up to the morning sun illuminating the wall in my grandparents’ guest bedroom, highlighting the golden stencil patterns and playing with the tree shadows, nor did anyone else watch the streams of fast flowing water wrap around my ankles as I walked home from school in a torrential summer downpour.
  • I write because i was the one to come upon a very old headstone and been told the story of a pretty girl who died of consumption at the beginning of the twentieth century, aged sixteen.
  • That story spanned seven decades to connect me to an unknown person’s life from way before my time. Who am I to let it pass into oblivion?

Between Mirrors

"So much of who we are stays hidden, like footpaths in a dark forest"

Short Stories

The Weekly Read

May 15
2026
The Gates of Horn and Ivory - a novel by Francis Rosenfeld

They saw it from afar, as they were traveling among the clouds in Helios’s chariot, the strange city of caves, carved in the soapstone of a cluster of spiky cliffs, sometimes by nature, sometimes by man, displayed amid the arid landscape like a giant sculpture, maybe an artifact the titans left behind, before his love of humankind landed Prometheus his penance.

A huge human beehive it seemed to be, where the diligent workers moved about through hundreds of holes in the stone cliffs towards the innards of the place, dug deep into the earth: the huge underground metropolis that marked the beating heart of Anatolia.

Une autre voix, le même rêve

écoutez la version française

— La transcription française vous attend dans The Margins

A large delegation welcomed the goddesses, with the traditional sheaves of grain and prolonged orations, and when it was done prostrating, the group surrounded them like living water and carried them down stairs and ramps through large subterranean chambers and hallways, past people carrying on their mundane activities, past carved galleries and alleys and arcades, public spaces and ventilation shafts, temples, tombs, and sanitation systems, stables and wells and water reservoirs, all the parts of a flawlessly functioning city, miles beneath the earth’s surface, illuminated only by Prometheus’s gift.

...

There seemed to be no bottom to this upside down underground metropolis, and Persephone, who was more versed in the intricacies of subterranean living than her mother, expected to see the glow of red flowing lava at any moment as they continued their seemingly endless descent.

The journey ended in the lowermost chamber, a huge arched cave, fifty feet tall, with painted walls depicting epic battles, and scenes of daily activities, prayers for the dead, devotions of the living.

The echoes of hundreds of voices were reverberated and amplified by the tall stone vaults, walls and floor, reaching a deafening, disorienting loudness.

The high priests bowed and prostrated themselves at the goddesses’ feet and when bid to rise, they guided them down the central isle towards their stone thrones, carved with agricultural scenes and symbols of the dead, and surrounded by garlands of yellow buttercups and bowls of pomegranates.

A young maiden, obviously overcome with emotion, approached them humbly and placed crowns of buttercups on their heads, and then retreated, stricken with awe, to touch the cheek Demeter had caressed in passing.

For a moment Persephone felt like she was back home and was grateful to her mother for this unexpected gift.

The voices ceased suddenly when a group of priests brought grains and fruit and livestock for the blessing, as the sacrificial fires were stoked and made fragrant with large bundles of dried sage, chamomile and mint.

“They’re not going to sacrifice those here, are they?” Persephone whispered to her mother, who rolled her eyes at her with disdain.

“Now you have a problem with death? Of course they’re going to sacrifice them! That’s the whole point of the trip!”

She looked at the horrified expression on her daughter’s face and got instantly aggravated.

“Oh, grow up, will you? People have been looking forward to this feast the entire year.”

The anticipation of the smells, the horrid sounds of agony, the blood, and the choking smoke of burning meat brought Persephone to the verge of vomiting, as her mother watched her with expectant curiosity and just a hint of happiness.

“Can I dare hope that husband of yours finally made himself useful in some capacity? Are you...”

“No! Mother, how can you be so calm? This is horrifying!”

“I’m sure Tartarus is a pleasant vacation spot, dear. Keep your wits about you. You’re embarrassing Olympus.”

Persephone sat on her throne, stone faced, trying to find a happy place inside her mind as the ritual unfolded and the offerings were sacrificed and burned, grateful for the efficient ventilation system and the platform which put a height barrier between her and the blood on the floor.

The ritual finally ended, and the goddesses got up to leave, and as they stepped down from their podium onto the central isle, the high priest advanced towards them with a bowl of fresh, still warm blood, and marked their foreheads with its sacrificial offering.

For a fleeting moment, Persephone’s spirit left her body to see herself walk down that isle, deep inside the bowels of the earth, with a garland of yellow wedding flowers on her head, pale as a ghost, and dressed in immaculate white gauze, which was in stark contrast with the bright red markings on her forehead, the archetypal image of old goddesses of death.

She looked at her mother, who was as poised as ever, assuming her role as patroness of the crops and chtonic bringer of the harvest with graceful ease, at peace with life, death and all the stages in between.

The gods don’t grow old; they grow callous.

The Gates of Horn and Ivory, Francis Rosenfeld

“You acquitted yourself well of your task, daughter,” Demeter commented on the chariot ride back. “I was worried you were going to faint or something. A fainting goddess! That would have been the laughingstock of all of Cappadocia, like we don’t have enough problems to deal with already.”

She looked at her daughter, who was still too shaken by the experience to engage in conversation.

“It’s about time you got baptized into the next stage of your existence, Persephone. You’re not an innocent maiden anymore, you’re a mother now, in spirit, anyway,” she commented, displeased. “Us mothers live to serve the needs of others,” she continued bitterly. “The gods know I do.”

Persephone wondered what would her beloved think if he saw her this day, his innocent young bride all gone to leave room for the stone idol of blood sacrifice, and the disturbing imagery reminded her she still owed Dionysus a conversation regarding the details of his upcoming feast, a bacchanalia, no doubt.

She suddenly got angry, thinking this was exactly why she’d rather not leave Hades and its quiet peace.

For all the times she saw lamenting souls wondering aimlessly the banks of the Acheron, and sought to comfort them, they were all hailing from here, from this place of life and light, where everybody was constantly striving for power, where the primary emotions, urges and unseemly desires drove everything, a puddle of grandiose and callous ambitions as red and impossible to wipe clean as the stain of the sacrificial blood on the floor.

“This is life, daughter,” Demeter replied in a more comforting tone. “Life is brutal. Not everyone enjoys the privilege of skip-stepping over its challenges directly into the Islands of the Blessed. Don’t you dare judge. You’re here to serve. Serve.”

“What’s next on the calendar?” Persephone effectively ended the subject.

“We’re going to Epidaurus. You’re going to tend to the sick.”

‘As long as I’m not there to kill them,’ Persephone thought, relieved, and contemplated the irony of her, of all people, bringing comfort to the afflicted. One would think the mere sight of her was the last thing those people wanted to experience.

“Well, since your fated decided to cut Asclepius at the knees for messing with his incoming headcount, and kept him hostage in Hades for his reward, you’re here to assume his duties.” Demeter couldn’t help herself. “Such a harmonious place of love and light your home is!”

“Actually, it was Zeus who stroke Asclepius down. He’s in Hades because he’s dead.”

“And I’m sure your husband had nothing to do with it.”

“So, what exactly am I supposed to do in Epidaurus?”

“You will provide dream visitations with advice, comfort and cures for the sick.”

Why can’t it all be like this? Persephone thought. She loved her work, most of it, anyway. The plants, the oracles, the comforting of souls. It was the brazen, thoughtless infliction of intentional harm she couldn’t come to terms with, and that, as she’d just learned, was the red blood of life itself. No wonder she’d rather be dwelling elsewhere.

“You should wipe that off,” Demeter pointed to her forehead, “it might upset the patients.”

“I can’t imagine why!” Persephone replied bitterly, promptly handed a napkin to clean her forehead by one of the attending Aurae, and a bowl of fresh water to wash up her face by another.

She saw her face in the water's surface, unchanged, if only a little pale, remembered the saying after a certain age people have to wear the countenance they earned for themselves and was now sure that wasn’t true.

All of world’s cruelty stays neatly hidden behind a facade of blameless faces, of faces just like hers.

She rested her eyes on the slow-moving landscape below. She was sure they were traveling faster than time itself in Helios’s chariot, it’s just one could barely tell, so high up in the sky. From far above, the cradle of life looked so beautiful, so peaceful, a true blessed Eden. No wonder the Olympians did not understand its struggles!

Dusk was approaching, and as Persephone’s friend Nyx covered the earth with her mantle, the landscape turned into a black velvet map dotted by points of light, almost like a mirror image of the starry realm.

The thick or rarefied clusters of those lights marked the edges of the seas and the crossroads of traveling routes, a very different way of experiencing life’s activating principles than one got to see during the day.

The night map was so much more telling in terms of people’s priorities and focus, stripped bare of the artifice meant for life’s embellishment.

“You’re biased, of course,” Demeter commented, then turned to the phaeton driver. “We made good time. We’ll be there just after the afflicted fall asleep. I’d like to skip the pageantry and get directly down to work for a change, and hopefully get in and out without unnecessary delays. It’s been a long day. We’re all tired.”

She brought her attention back to her daughter.

“Persephone, have some ambrosia, dear. You have eaten nothing all day and you’ll be useless if you’re lightheaded.”

Persephone received the bowl promptly offered by a third aura and obediently ate the food of the gods.

March 1
2026
Door Number Eight - a novel by Francis Rosenfeld

The room was practically empty, with the exception of a large swivel chair marking its center and another old fashioned wing back chair placed nearby, almost as an afterthought.

The contrast between the two pieces, one made of red leather stretched tighter than a drum around severe modern contours and the other overstuffed, covered in chintz print and smothered under a sea of pillows, was so stunning that Taylor failed to notice the rest of the oddities in the room, more specifically the fact that it had an octagonal shape and in the middle of each wall there was a door.

She didn’t anticipate there would be a person sitting in the swivel chair, which had its back to the door at the time. She walked into the room, feeling almost as if somebody or something was pushing her from behind and gasped when the chair turned around; she found herself face to face with a young guy with glasses, rather long and unruly black hair and a wispy beard. He didn’t seem surprised to see her, which increased Taylor’s discomfort. Because she didn’t know how to extricate herself from the uncomfortable situation, she blurted the first thing that came to her mind, however illogical.

“What are you doing here?”

“I should ask you this question,” he replied poised. “You’re in my room.”

“Of course I didn’t break your door,” he replied annoyed. “I wouldn’t worry about the lock anyway, it’s not a critical detail. Please, sit. I’ve been expecting you.”

Taylor sat in the chintz chair, which was a lot more comfortable than it looked.

...

She settled herself in, grateful for its softness and suddenly remembering how tired she was, and was still adjusting the pillows when she met the young man’s gaze again. She felt absolutely ridiculous sitting there, buried in a mountain of pillows and floral motifs for no particular reason at all.

“I’m touched you found your way to comfort, that’s exactly why I teach this class, to encourage people to settle into their comfort zones.” The sarcasm wasn’t lost on Taylor, but since she had made the first socially unacceptable move by walking into another person’s room uninvited, she ground her teeth and didn’t retort. She regained her composure and asked the obvious question.

“What class?”

“Welcome to WAI 106.67 - Introduction to Wayfinding Systems. It’s an introductory class,” he pointed out the obvious, and Taylor wondered what remedial Wayfinding Systems class she had missed to justify the additional explanation.

“An introductory class in what?” she pushed back.

“Wayfinding,” he pointed out, looking at her as if to assess whether she had the required level of intelligence to attend the class. Taylor sat back in her cozy chair, still trying to figure out who was pulling a prank on her and why, and amazed by the lengths that someone went to in order to generate this level of detail. The doors alone, for one. So she decided to play along and asked.

“Where do the doors lead?” knowing full well after the exploration trip she had taken around the building the day before that they couldn’t possibly lead anywhere.

“We’ll get to each door when its turn comes, but I need to give you the disclaimer about door number eight, it’s university policy, safety training, release of liability, that sort of thing. You get the idea. In short, don’t go through door number eight.”

“Sure,” Taylor replied, with a hint of sarcasm that didn’t escape her conversation partner, “But all the other ones should be safe, right? Or do I have to review the door handle operation manuals before I go through?”

The young man rolled his eyes, clearly irritated, and scrunched his face a bit to adjust the glasses on the bridge of his nose. He spoke sharply.

“God, I hate freshman class, and for some evil reason I always get stuck with it, every single year, at least once! You all think you know everything, this gets so tedious after a couple of decades!”

“How old are you, exactly!?” she thought, shocked, and then remembered she was playing along in a prank, and decided to let go of the question, to see what tall tale he was going to make up next.

He didn’t look more than twenty anyway; in fact, if she had to venture a guess he looked exactly her age, and she wouldn’t have been surprised to run into him in one of the courses she had enrolled in.

She looked at him carefully, to figure out if she had seen him around campus. He looked very familiar, she didn’t know why, there was something about his facial expressions, his hand gestures, the way he sat in the chair, that she was certain she had seen before, although she simply couldn’t remember where.

He was relatively tall, with an athletic, but slender build, dressed in a solid dark t-shirt and jeans. He could have been any of the hundreds of students she passed by as she walked across the courtyard to go from one class to the next. Finding no answer, she shook her head and gave up, and tried to wrap up this charming interlude to go veg out in her room.

“You do know this is a mandatory class for your study major, right?” he asked, even more displeased than before, and the furrow between his eyebrows deepened.

“Of course it is,” she said, and got up to leave. He didn’t try to stop her, so she headed, very sure of herself, in the direction from which she had come, only to notice, in disbelief, that there were only eight doors on the walls, none of which led back to her room.

“No doubt you counted the doors when you came in,” he commented on her bewildered expression. “How many were there?”

“Eight,” she mumbled, still in shock.

“And there you go. There are still eight doors.”

“But...” she protested, really terrified this time.

“Stop fretting, the door will be there when class ends. Sit down, you’re wasting instruction time, you’re not my only pupil, you know.”

She sat down, waiting for him to speak, but he didn’t, he just looked at her, expectantly. They sat in silence for a while, staring at each other, until eventually he looked at his watch and restarted the conversation.

“So, are there any questions you would like me to answer before we begin?”

“Where do I even start?” she thought, simultaneously wondering if the class they were talking about was still forty eight minutes long and glancing furtively at the wall to see if the door was back yet. Her instructor was staring her down, waiting for a question, so she wrecked her brains to come up with one that wouldn’t sound completely idiotic.

“Don’t worry, there is no such thing as a stupid question,” he encouraged, doing his best to contain a restless streak. She obliged.

“Why eight doors?” was the first thought that came to mind and straight out the mouth it went, unsifted.

“Because the curriculum didn’t allow enough time for nine, and seven would have been too few,” he shed light on the issue.

“What happened to room number eight?” she blurted, almost against her will.

“Oh, now we really do have a good question here, but you need to pass this class to understand the explanation. The short answer is, room number eight is where it has always been.”

“Is the class about these doors?”

“Yes. When you’ve successfully walked through them, the class ends. We’ll meet every day for an hour, just like today,” he said in a voice that started to sound more amenable.

“So, this course is only eight days long?” she asked, still skeptic.

“First, what makes you think you’ll be able to successfully walk through the doors on the first try, and second, what did I say about door number eight?”

“Don’t go through it?” she asked, tentatively.

“That’s right,” he responded. “We’re going through the doors in their order of difficulty, starting tomorrow with door number one.”

“You are coming too?”

“Oh, definitely. I’m responsible for your welfare for the duration of the class, I don’t even want to picture the bureaucratic nightmare that would ensue if you got lost!”

“Got lost where??!” she panicked.

“Don’t worry, as I said, I’m coming with.”

“What do you mean by ‘successfully go through them’. What’s so hard about walking through a door?”

“You can’t walk through it if it isn’t there,” he smiled, and from the corner of her eye she noticed the door leading back to her room, wide open as she had left it, staring her down from across the room as plain as the nose on her face. He turned his head.

“Well, it looks like the class just ended. See you tomorrow,” he dismissed her.

She hesitated, not knowing whether it was OK to leave and troubled by a thought.

“So,” she finally uttered, “what if I decide not to come back here?”

“It’s your education, not mine. If you do, however, decide to return, class starts promptly at four. Don’t be late, I loathe that.”

“What am I supposed to do in the meantime?” she mumbled confused.

“Go to your other classes, of course.”

February 16
2026
Between Mirrors - an audiobook by Francis Rosenfeld

Claire’s path had been a winding one, a life choice that had brought her both interesting and unexpected experiences and endless frustration from those loved ones who would have preferred it to have some direction and purpose instead.

True to the wisdom that not all those who wander are lost she had rambled through life rather than live it, gathering experiences and memories on her path like one picks up souvenirs along one’s journeys. She was old enough by now to open that symbolic box of mixed experiences and try to put them together in a broader context, in order to get the big picture.

The tapestry she came up with as a result was beautiful and strange, and if she wanted to be honest with herself it didn’t make much sense. That’s probably why she had decided to take a sabbatical from normal life, find the missing pieces of the puzzle and put some meaning into this random cluster of events.

That is how she ended up coming back to the home of her childhood, the place where things never changed: she needed a fixed point to focus on while this chaotic soup of actions, encounters and events kept swirling around her, so involved in itself it left no room for breathing. Its relentless churning gave her motion sickness and seemed ruled more by the laws of fluid dynamics than by those of human nature - it had eddies and currents and immovable rocks, mucky dead spots and rushing white waters, and places so clear one could count all the pebbles on the rocky bottom and all the creatures who lived there.

...

Heeding her grandmother’s advice she went out into the garden to enjoy nature and stopped almost without thinking to sit under her oak tree. She unfolded memories inside her mind like one spreads photographs on a table, grouping them together, singling them out, looking for patterns and organizing structures in their jumbled mess.

There were too many those special moments she had greedily accumulated, and they had too many connections between them, made without rhyme or reason. Like the brain of a three year old gobbles up reality with no discernment and creates extraneous neural pathways it has to sort out and discard later, so did Claire’s insight get weighed down by an unseemly amount of irrelevant details.

Hidden in that foggy maze were her pivotal moments, the events that had charted her life’s path. She was surprised to notice that many of them were eminently forgettable, like for instance the day when it started raining and she sought shelter in the cafe where she ended up working for two years; that’s where she made the friend who introduced her to the local art community and a way of life which had unfolded right under her nose for years and yet she knew nothing about.

She’d spent some time in their world and dedicated herself to her painting, for which she ended up deciding she had no talent, but which gave her a reason to remain immersed in this different atmosphere she tried so hard to understand.

Eventually she realized there was nothing to understand, not with one’s mind, anyway. It was more like singing the song of one’s soul loud enough for the world to hear.

Between Mirrors, Francis Rosenfeld

Her inexplicable devotion to the artistic milieu threw her into the unlikely job of art curator, which required writing reviews and got her tangled in the publishing world, from which she got side tracked into travel writing and culinary reviews.

As she looked back at her life she was amazed at the amount of living she had managed to stuff in such a short period of time and even though she was slightly disappointed that her loved ones couldn’t see her footprints on the world, criss-crossing its shifting sands like openwork embroidery, she didn’t resent them for it. How could they experience her point of view while standing in a different spot?

Despite the fact that her family deplored her lack of focus nobody accumulates this amount of life experience so young by planning for it. The complex patterns of life are so much richer than one’s ability to process them and so filled with information and details they can only be experienced in part and in context, a single layer of an infinitely thick set.

It’s been mentioned so many times that our lives are unique that the meaning of the words got dulled by cliche, but it is true: no two of us see the same reality, we all have our own worlds to live in, coexisting with the others’ and impossible to peel apart. Claire had experienced her own existence in motion since she was five years old and she had seen the shadow for the first time. The shadow had called out to her ever since, trying to entice her back to the uncharted place she knew existed but kept ignoring in order to stay the course.

It is interesting how life has ways to return one to their fated path when it deems it necessary, almost surgical in the way it eliminates anything that stands in its way. There is nothing it won’t reshuffle, add or remove in order to achieve this goal. Nothing.

This lengthy session of navel gazing did yield a useful conclusion: most of her life’s defining moments were not of her doing. She shrugged the irritating thought and got up to get back into the house, since the sun had already set and the violet shadows of the night were getting thicker. As she passed through the front doors she got a glimpse of herself in the mirrors, donning a garden hat and the same unnerving smile.

This time Claire didn’t cave. She stared right back at the stranger in the mirror, to get to the bottom of this crazy reflection well, but there was no bottom, just an infinite number of hers fading into the vanishing point. She gasped when she realized there were subtle differences between all of these reflections, not so pronounced that a careless glance would find them jarring, but inescapable to the attentive eye.

Behind the surface of the mirror dwelt relaxed hers, and thoughtful hers, and tense hers, and excited hers, and sad hers and absentminded hers, but there was one thing they all had in common: the garden hat. Claire wasn’t wearing a hat.

“How on earth is this even possible!” Claire thought to herself, more fascinated by the fact that the hat that didn’t belong in the reflection seemed designed to draw so much of one’s attention one wouldn’t have enough of it left to focus on the much subtler differences the Claires had between them.

She looked behind her to make sure her grandmother wasn’t around to give her a piece of her mind about standing in the doorway again, and when she looked back at the mirrors she noticed the hat was gone. She got mad at herself for not taking a picture of this strange phenomenon before it was gone and promised herself that the next time the mirrors decided to go all alternate reality on her she’d snap up some evidence for posterity.

The grandfather clock struck eight and Claire headed to the dining room, where the table was already set for dinner. There were only two place settings.

“Your grandfather’s business in town took longer than anticipated. He called to let me know he’ll be staying overnight. It’s just the two of us this evening,” her grandmother smiled. Claire sat down, bewitched by the comforting aroma of baked macaroni and cheese that was filling the house. Her grandmother appeared, carrying the hot casserole from which thin wisps of steam managed to escape, even though it had the lid on.

“Did you have a pleasant day outside?” the latter started the conversation while dishing generous heaps of gooey goodness onto the plates.

“Yes, it was very relaxing,” Claire replied, eyeing her favorite dish while her mouth watered. While she dug in, gleeful with anticipation, she realized she had no idea what her grandmother did on a regular day. “How was your day, maman?”

“Oh, you know, the usual,” her grandmother gave her a vague response. “I had a few things to attend to, there is always something that needs done in this house.”

Claire wanted to ask for more detail, but her grandmother didn’t leave her time to do so.

“Speaking of things that need done, I found a hat for you to wear when you go outside. I know you spent too much time up north to remember, but in our neck of the woods it’s too hot to stay outside all day without a hat, you’re going to get yourself sunstroke. And don’t you tell me you’re going to keep in the shade. You’ve been using that excuse since you were this tall,” she held her hand slightly above the table top, “and it didn’t fly with me then either. You can get yourself a different one if you don’t like it, but in the meantime...”

Claire didn’t comment, nor did she wonder what the hat looked like. She had a vague idea.

After I read other people’s stories, which made me laugh, cry, or reflect, I became aware that all lives are extraordinary and worth writing about, including my own. We all contribute our small share to the changes in the world, we matter, the people we love matter, as do complete strangers. We shape this world together, one moment at a time, and the future is always of our own choosing, always within our grasp.

I write because I get caught in the maelstrom of feelings and events from so many people near and far and I don’t want their unrepeatable experiences to be forgotten.


I write because I lived, loved, learned, hurt, and I have so much to say!

Spoken word Poetry
And Then There Was One
Stories
And Then There Was One
Stories
Spoken word Poetry
As I Am I Bare My Soul
Poetry
As I Am I Bare My Soul
Poetry
Spoken word Poetry
Mrs Thornby Gathered Dust
Stories
Mrs Thornby Gathered Dust
Stories
Spoken word Poetry
Grace
Poetry
Grace
Poetry
Spoken word Poetry
Your Guests From the Meta of Real
Poetry
Your Guests From the Meta of Real
Poetry
Francis Rosenfeld: VOICES - the podcast
VOICES
podcast
VOICES
podcast
Spoken word Poetry
My Name Is Rosemary
Stories
My Name Is Rosemary
Stories

Poems and Essays

The Weekly Read

March 19
2026
On Understanding Language

essays

Exact sciences look down on language, whose imprecise nature feels hollow and superficial compared to the pristine perfection of mathematical rules.

It is exactly this evasive nature that makes it so valuable; it is the layering of meaning and the ability to turn a phrase into its opposite in one change of tone that endows it with magic and it is its slippery quality that makes it so addictive.

There is a hard object underneath the gooey surface which spills through your fingers and turns into nothing the moment you focus on it, and that hard object is so evident to people they don’t think of questioning its existence, they can feel it in a visceral way, but not in a way they can explain, or justify.

An indescribable art.

Yesterday I was listening to a discussion about creativity and after having the knee jerk reaction of jumping to define it in clunky material terms, I realized I understood what creativity was, but there was no way I could describe what I understood, just like I can’t explain to or teach somebody how language works, and how one understands the different meanings of the same phrase based on context, on previous conversations, on the conversation partners, on moods.

...

How? I’m constantly in awe, although I could say I’ve been chasing this dragon for over a decade now, though nobody would take me seriously about that, but yes, I am in awe of this patterned tapestry that shifts meaning like the shimmer of an oil slick, as light passes over it.

How is it so sudden, this change from watching pretty black markings on paper to the revelation of their meaning, like a light switch, no rules, no matter what you say, there is no logic to it, no rules other than the presence of that hard object underneath the ever shifting fog, an object everyone senses exists but no one can describe how or prove why.

How can you listen to the same phrase four different times and it means something else every time?

How is it so common, this intrinsic meaning, to every language and every culture, in customized ways only that culture understands?

Where does it come from?

Is it an inherent property of consciousness or an extension artificially installed, like connecting a printer or a scanner to a computer?

If one were to relate it to mathematical precision, a triangle would have three vertices sometimes, if it’s Tuesday and the Lakers won the championship, depending on the air traffic report, and this explanation would make perfect sense to everyone who hears it, in almost identical ways.

I understand I’m spilling truisms right now, and that’s exactly my point! What makes these comments truisms to you? And why?

For people who are bilingual, there is the additional terrifying layer of understanding contextually embedded language without the need to translate it.

You slip from one loosely gelatinous structure to another that doesn’t in any way resemble it in the same phrase sometime, and in real time, all the while feeling your way blindly around the surface of that hard object, sight unseen, through mixed goo.

To say nothing of the unspoken meanings. No goo, no hard object there, but you can still feel it under your fingers while holding on to thin air.

Nothing to see here. Nothing behind the curtain. No mirrors, no strings.

Also, I’m too afraid of this thing that isn’t to even ask. You can’t ask a person why they understand what you mean without looking like a lunatic!

  • If you should ever see me cry, I cry because the moon is high; I cry because my heart is dry; I cry because I touched the sky.

  • I’ll cry an hour and a day for feelings that were ripped away, for words that never came my way, for things that I can’t even say.
...
  • When I decide that I should stop, I’ll climb a mountain to the top, and there I’ll dance until I drop, and wait for day break in the gap.
  • The opening that leads the way to find the day within a day; the sheltered realm where I can stay and watch the sorrows drift away.

    If You Should Ever See Me Cry, Francis Rosenfeld
your next favorite poem is waiting

francis-rosenfeld.com

Whispers of the Soul, Spoken Aloud.

Audiobooks

Enjoy the narrated stories

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A Year and A Day book cover - fantasy spirituality utopia
A Year and A Day
fantasy
A Year and A Day
fantasy
Letters to Lelia book cover - science fiction utopia
Letters to Lelia
science fiction
Letters to Lelia
science fiction
Francis Rosenfeld The Gates of Horn and Ivory book cover - character driven fantasy
The Gates of Horn and Ivory
fantasy
The Gates of Horn and Ivory
fantasy
Francis Rosenfeld Terra Two book cover - societal change and social utopia
Terra Two
sci fi
Terra Two
sci fi
Francis Rosenfeld The Blue Rose Manuscript book cover - personal growth transformational story
The Blue Rose Manuscript
fantasy
The Blue Rose Manuscript
fantasy
Francis Rosenfeld Mobius' Code book cover - character driven transformational story
Mobius' Code
fantasy
Mobius' Code
fantasy
Francis Rosenfeld Door Number Eight book cover - personal growth fiction
Door No. 8
fantasy
Door No. 8
fantasy
Francis Rosenfeld My Dear Fiona book cover - self-reflection character driven narrative
My Dear Fiona
fantasy
My Dear Fiona
fantasy
Francis Rosenfeld Between Mirrors book cover - self-reflection personal growth story
Between Mirrors
fantasy
Between
fantasy
Francis Rosenfeld The Gates of Horn and Ivory book cover -  exploring human connection through introspective fiction
The Library
satire
The Library
satire
Francis Rosenfeld The Plant - A Steampunk Story book cover - societal change personal growth story
The Plant: A Steampunk Story
sci fi
The Plant: A Steampunk Story
sci fi
Francis Rosenfeld Fair book cover -  exploring human connection and societal change through fiction
Fair
fantasy
Fair
fantasy

Thoughts on Terra Two

from our readers

February 14
2014

Pure delightful imagination

This is not an action packed novel, but rather a melodic and hypnotizing piece of literature. It swept me away with its rich imagery and well thought out story line. I could not put it down and look forward to Francis' next book.

June 4
2015

Not what I expected, yet everything I could want

This is a gentle story that comes with a peaceful feeling. All that I can say is how do you describe a hug ? Reading this reminded me how simple life can and should be. We should all value the life we live and share it well. Yup it gives away hugs.

June 9
2013

Philosophical magic

The author weaves a portrait of what it means to be alive. The portrait grabs your heart and does not let go.

March 21
2015

Magic

I was so entranced with this novel that even though I started reading it late in the evening I wasn't able to put it down til sunrise.[...] This novel is a joy to journey and shouldn't be missed by any who feel some nameless calling in their spirit to enter " a peace that passes all understanding" Truly magical .

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